Jim Dodge (Frank Whaley) has a hard time holding down a job and an even harder time holding back his wild imagination. As a last option, Jim is hired as the night janitor at the local Target. During his first night on the job, he discovers Josie McClellan (Jennifer Connelly), daughter of a local wealthy businessman, also inside the store. As the night goes on, they learn more and more about each other.
I didn’t know anything about Career Opportunities besides the famous shot of Jennifer Connelly riding the penny horse. When I eventually learned what movie that scene was from, and learning it was from a film written by John Hughes no less, I quickly sought it out. That excitement had died down by the time the credits rolled. If I hadn’t known it was written by Hughes going into the film, I would not have believed it if I had learned that piece of information after watching it. Career Opportunities lacks the charm I have come to expect from his scripts. The set up is pretty standard fare for a Hughes’ coming-of-age film: a young man and a young woman who appear to be complete opposites of each other come together and form a bond. However, if this is a story you want to watch from Hughes, there are plenty of his other films that do it better. I will say that Frank Whaley as the fast talking Jim Dodge is a highlight of the movie and has the charisma needed to carry such an intimate movie. On the other hand, Jennifer Connelly, as beautiful as she is, is flat and not very expressive. Whaley and Connelly together are the driving force of Career Opportunities, so to have their chemistry be less than perfect becomes a liability to the film.
I thought Career Opportunities was OK 😐 There’s a standard expected from a film penned by a writer of John Hughes’ caliber. Unfortunately, this film does not fulfill those expectations. While Frank Whaley carries this movie the best that he can, the script and his co-stars don’t quite rise to his level. It’s no surprise that this film has barely been re-released on home video compared to Hughes’ more notable films. There are many movies in his filmography where any one aspect of this film is done better, so if you’re itching for a Hughes’ teen comedy, go watch one of those films instead.
Cast & Crew
Bryan Gordon – Director
John Hughes – Writer
Thomas Newman – Composer
Frank Whaley – Jim Dodge
Jennifer Connelly – Jose McClellan
Dermot Mulroney – Nester Pyle
Kieran Mulroney – Gil Kinney
John M. Jackson – Bud Dodge
Jenny O’Hara – Dotty Dodge
Noble Willingham – Roger Roy McClellan
Barry Corbin – Officer Don
Andrew Winton – Boy #1
Andy Greenway – Boy #2
RonReaco Lee – Boy #3
William Forsythe – Custodian
John Candy – CD Marsh
Palmetto Pale Ale – This is an American pale ale that I picked up in Charleston, South Carolina. The first time I tried it, I wasn’t a huge fan but I think it was the food I paired it with because very time I have drunk it after that, I have liked it more and more. It’s pretty strong on the hops but there is a little bit of orange taste to balance it out. Verdict: Enjoyed it.
Belle (Paige O’Hara (voice)) takes her father’s place as the prisoner for the Beast (Robby Benson (voice)). The Beast hopes to win Belle’s heart and break the spell that has been placed on him, his castle, and its inhabitants.
I have expressed numerous times my love for the Disney Renaissance films. When I was younger, I had Beauty and the Beast on VHS but I did not watch it nearly as much as I did some of the other films from the era, like Aladdin or The Lion King. I think that was because it is a “princess” movie and I was more interested in movies with male main characters. In any case, over the years as I have watched it, I have grown to appreciate it much more.
The main reason why Beauty and the Beast is so popular is because of Belle. Her character is so well written and developed. She isn’t like any of the previous Disney princesses. A defining characteristic of the Disney Renaissance is how the princesses (or women in general) were portrayed. Starting with The Little Mermaid‘s Ariel, the women are less focused on finding a husband for finding a husband’s sake and more on pursuing their dreams and passions and simply being themselves. Belle likes to read, she has a vivid imagination, she is adventurous, she helps her father with his inventions, and she has dreams of her own that do not fit in with the others in her village. She is one of the first princesses to feel fully developed and that her happily ever after came from the result of her actions, not the actions of the prince.
To go along with Belle, Gaston is not a typical antagonist, at least in appearance. He is a physical embodiment of what this movie, and Disney in general at that time, is trying to move away from. He has similar features to what you would expect from the typical Disney prince. He’s tall, muscular, has a strong chin, and is pursuing the most beautiful girl around for her hand in marriage. But this is the movie’s villain, not the apple of Belle’s eye; This is the guy we are supposed to be rooting against but he looks like the love interest we are typically used to root for. Gaston’s actions and personality part of the movie’s message about judging a person’s characteristics from their appearance. He is handsome on the outside but a beast on the inside.
On the flip side of Gaston is the Beast. Unlike Gaston, his physical appearance is hideous, more fitting of a typical villain than love interest. This is what really pushes the film’s story and message forward. Belle isn’t quick to judge the prince on his appearance or beastly attitude. Instead, she see’s the good in him and works to bring that out of him so he can see for himself that his looks do not define him.
The townsfolk and mob are a third part to the movie’s message about not keeping an open mind and judging others quickly. They follow Gaston, the towns hero despite having a narrow and nasty attitude, and fear the Beast, although they know nothing about him. There is a lyric in “The Mob Song” that perfectly sums it up: “We don’t like / What we don’t understand / In fact it scares us / And this monster is mysterious at least.” Their fear is used by Gaston to lead the crowd into attacking the Beast, using them towards killing the Beast in an effort to still try and win Belle’s heart. Their suspicions and inability to think for themselves allowed them to be easily manipulated.
Speaking of “The Mob Song,” Alan Menkin and Howard Ashman work together (in what would be Ashman’s final film before passing away) to create the score and songs. And once again, it is absolutely wonderful. My personal favorite is “Be Our Guest” but “Belle” and “Gaston” are just as catchy and do a phenomenal job of character building. Of course, you can’t talk about this movie without talking about its title song, “Beauty and the Beast,” easily one of Disney’s most popular ballads. I’ve heard it at weddings, dances, and our high school band often played it for homecoming. It is a very moving and romantic song that has become the definition of a timeless classic.
The art style of Beauty and the Beast looks like something out of a picture book. The colors are bright and vivid, especially during the opening prologue. Even when the colors are more muted, like in the woods, there is still a vibrancy to them. The picture book feel reminds me a lot of Sleeping Beauty where everything just pops off the screen.
This movie is chock full of fun supporting characters. My favorite, hands down, is Lumiere and Cogsworth, voiced by Jerry Orbach and David Ogden Stiers respectively, the first two enchanted inhabitants Belle meets after entering the castle. Although they may be animated, they are just as great as any comedy duo in other movies. Other great characters are the motherly Mrs. Potts, voiced by the sweet Angela Lansbury, and her son Chip, voiced by Bradley Pierce, and the wardrobe in Belle’s room in the castle, voice by the energetic Jo Anne Worley.
I thought Beauty and the Beast was GREAT 😀 It is not hard to see why this became the first animated film to be nominated for a best picture Academy Award. Belle is a strong heroine and the movie’s message about not judging others quickly and letting fear blind you is enduring. Often referred to as the crown jewel of the Disney Renaissance, Beauty and the Beast is a special film that has been loved for over twenty-five years and will remain a beloved favorite for another twenty-five and more.
Beast: I’ve never felt this way about anyone. I want to do something for her! But what?
Cogsworth: Well, there’s the usual things: flowers, chocolates, promises you don’t intend to keep.
Angela Lansbury, the voice of Mrs. Potts, was unsure of her singing ability and thought that another character might be better suited to sing the song “Beauty and the Beast.” The directors convinced her to record it anyway in case nothing else worked out. She sang the version that made it into the movie in one take.
Cast & Crew
Gary Trousdale – Director
Kirk Wise – Director
Linda Woolverton – Screenplay
Brenda Chapman – Story
Chris Sanders – Story
Burny Mattinson – Story
Kevin Harkey – Story
Brian Pimental – Story
Bruce Woodside – Story
Joe Ranft – Story
Tom Ellery – Story
Kelly Asbury – Story
Robert Lence – Story
Alan Menkin – Composer
Howard Ashman – Lyricist
Paige O’Hara – Belle (voice)
Robby Benson – Beast (voice)
Richard White – Gaston (voice)
Jesse Corti – Lefou (voice)
Jerry Orbach – Lumiere (voice)
David Ogden Stiers – Cogsworth / Narrator (voice)
Angela Lansbury – Mrs. Potts (voice)
Bradley Pierce – Chip (voice)
Rex Everhart – Maurice (voice)
Tony Jay – Monsieur D’Arque (voice)