Brandon (John Dall) and Phillip (Farley Granger) host a dinner party after murdering a classmate.
As I make my way through my Alfred Hitchock collection, I’m starting to get a feel for his directorial style and why he came to be known as the “Master of Suspense.” Rope is the next stop on my journey and while it doesn’t overtake the previous film, Shadow of a Doubt, as my favorite, it does have merit to come close.
Hitchcock shows the audience immediately the murder committed by Brandon (John Dall) and Phillip (Farley Granger) as well as the pair hiding the body in a chest in their apartment. Because this act is literally the first scene of the film, there is no doubt about the character of Brandon and Phillip and what they are capable of. We also get a sense of their personalities and relationship from this early scene. So as the film goes on, the suspense continuously builds as their guests seemingly come closer and closer to discovering the hidden body. The tension kicks into high gear once Rupert (James Steward) becomes suspicious of the two boys. Once again, this film is suspenseful but in a different way than Hitchcock’s previous films I have seen so far, truly demonstrating his mastery over the genre.
What really adds to the suspense is the acting from Dall, Granger, and Stewart. All three of these actors did superbly in their parts. You get the sense that the dynamic between the two murderers is more than simple friendship and Dall and Granger sold that relationship. Dall brings a sense of superiority over everyone around him to his character. This brings him to verbally spar with his mentor, Stewart’s character. Stewart brings a calm demeanor that dovetails well with the snideness of Dall and the nervousness of Granger. When these three were together, particularly towards the end of the film, is when Rope excelled.
One of my favorite things Hitchcock did in this film was make it appear to be one continuous shot. Rope was adapted from the play by the same name and it feels like watching a play when watching this movie. The one-continuous-shot style has rarely been used over the decades but Rope was the first to make use of the technique, making Hitchcock a pioneer yet again. He was limited to 10 minute shots due to limitations of 35mm film at the time and it is easy to see where several of the transitions occurred but it doesn’t take away from the experience too much.
I don’t know how much of the dialogue was adopted from the original play but I found the dialogue of Rope to be very witty. Multiple innuendos were sprinkled throughout the film. It’s a small touch but it added a little bit of humor to an otherwise dark and serious film.
I thought Rope was GREAT 😀 As I watch more and more of Hitchcock’s films, I am learning that “suspense” can be implemented in multiple ways. The suspense of Rope is different than the suspense in the previous Hitchcock films I have watched, which also have different types of suspense from each other. The trio of John Dall, Farley Granger, and James Stewart were fantastic, bringing the snappy dialogue to life. The quality from Hitchcock has been astounding and I cannot wait to see what happens next in my on my journey through my Hitchcock collection.
Cast & Crew
Director – Alfred Hitchcock
Hume Cronyn – Writer
Arthur Laurents – Screenplay
David Buttolph – Composer
John Dall – Brandon
Farley Granger – Phillip
Edith Evanson – Mrs. Wilson
Douglas Dick – Kenneth
Joan Chandler – Janet
Cedric Hardwicke – Mr. Kentley
Constance Collier – Mrs. Atwater
James Stewart – Rupert Cadell
Dick Hogan – David Kentley