Ultimate Decades 2021 Blogathon Kick-Off: Bridesmaids (2011) Review

Hello, friends!

I’m excited to be the first to welcome you to the sixth annual Ultimate Decades Blogathon, hosted by Kim from Tranquil Dreams and myself! In the past, the Ultimate Decades Blogathon focused on a specific decade, from the 1970s all the way to the 2010s. Rather than revisit those decades again, the format this year is slightly different. Instead of spotlighting a single decade, the the Ultimate Decades Blogathon is now focusing on films released in years that end in the same digit as the current year. Since this year is 2021, all the films in this blogathon were released in years that end in 1. Exciting, right? I think the participants this year have really outdone themselves and chosen some great films from across the decades. Now, to kick things off, I will share my review of a film that came out just last decade. Without further ado, here is my review of the 2011 Paul Feig comedy Bridesmaids.


Bridesmaids movie posterSynopsis
Jillian (Maya Rudolph) asked her best friend, Annie (Kristen Wiig), to be the Maid of Honor in her wedding. Annie finds competition in Helen (Rose Byrne) for Jillian’s attention.

Review
When a film features an all female ensemble, you would be forgiven if you expect a sappy love story about the women trying to catch themselves a man. If you went into Bridesmaids with that expectation, you would be wrong. Bridesmaids takes inspiration from films like The Hangover and Anchorman: The Legend of Ron Burgundy, showcasing that women can at time be just as crude as men. However, Bridesmaids never tries to be like similar films featuring ensembles of male buddies and sets out to show that female relationships do not revolve around β€œtrying to find the one” as many movies before would have you believe.

The script, written by Annie Mumolo and star Kristen Wiig, is what sets Bridesmaids apart from other female ensemble movies at the time. While vulgar and crude, which is not uncommon in comedy films (especially in the late 2000s/early 2010s), Mumolo and Wiig still manage to make it feel unique. Since this is a movie about women written by women, the relationships between the female cast feel like actual relationships. There’s a true feeling of genuineness to the characters and their interactions between each other. Like many comedies, the script takes something simple, like being a bridesmaid, and puts it under a magnifying glass, exaggerating the experience yet still keeping it relatable. While there were female-led comedy ensemble movies before Bridesmaids, they saw varied success. This film feels like it marked a turning point, proving that the comedies written by and starring women can be just as funny and entertaining as those written by and starring men.

Along with the script, the cast is absolutely stellar. Wiig seems to play off everyone around her. Her scenes with Rudolph feel like the pair have been friends since childhood. Wiig and Rose Byrne, who plays her rival for Lily’s attention, are an absolute hoot when they are together. Wendi McLendon-Covey plays the worn-down mom to perfection. The Office alum Ellie Kemper channels her inner Erin and is adorably awkward. I am a huge fan of the British television show The IT Crowd, so seeing Chris O’Dowd was a special treat. However, the stand-out performance to me was Melissa McCarthy. In one of her first feature film roles, she knocks it out of the park. Every scene of hers is laugh-out-loud funny and her comedic timing is impeccable. It’s not hard to see why her film career took off after starring in this movie. Even though there are many characters, Bridesmaids manages to balance them, providing enough screen time for the supporting characters to feel relevant but still enable the leads to stand out.

I thought Bridesmaids was GREAT πŸ˜€ Written by Annie Mumolo and Kristen Wiig and directed by Paul Fieg, it opened up the door for modern-day female-led comedies, showing that female-led comedies can be raunchy too and not just reserved for sappy love stories. What’s more, the characters are extremely likable and the entire cast is outstanding. At 10 years old, Bridesmaids has aged like a fine wine, and keeps getting better with every viewing.

Trailer

Cast & Crew
Paul Feig – Director
Kristen Wiig – Writer
Annie Mumolo – Writer
Michael Andrews – Writer

Kristen Wiig – Annie
Maya Rudolph – Lillian
Melissa McCarthy – Megan
Rose Byrne – Helen
Wendi McLendon-Covey – Rita
Ellie Kemper – Becca
Chris O’Dowd – Rhodes
Rebel Wilson – Brynn
Matt Lucas – Gil
JIll Clayburgh – Annie’s Mom
Jon Hamm – Ted
Tim Heidecker – Dougie


Tomorrow, my co-host Kim will post her entry on her site in part two of the Ultimate Decades Blogathon 2021 kick-off.

As the blogathon progresses, you can check out this compilation page on Kim’s site to view all of the entries.

Until next time, cheers!

Insidious Review

Insidious movie posterSynopsis
Shortly after Josh (Patrick Wilson), Renai (Rose Byrne) and their children move into their new home, strange things begin happening around the house. After an accident, Dalton (Ty Simpkins) slips into a coma, meanwhile Renai begins to see unexplainable things around the house. Thinking the house is haunted she convinces Josh to move the family into a new home. However, it soon becomes clear that it wasn’t the house that was haunted, but their son, Dalton.

Review
I’ve said this a few times but in case you didn’t know, I’m not a fan of horror movies. However, over the past few years, I have come around to a few sub-genres of horror films, namely supernatural horror. Mama and Insidious were the films that got me to budge on my no horror stance. Given that today is Halloween, I’ve decided to go back to one of the few horrors I’ve enjoyed (so far).

Many horror films like to rely on jump scares to get the audience’s heart pumping. Insidious employs this technique but it doesn’t use it in excess. Also, they aren’t β€œfalse” jump scares, meaning every time something is there to make you jump it’s because the thing is worth jumping at, such as a ghost or one of the demons. There isn’t anything like a door closing loudly or an object falling over to make you jump when in actuality it’s nothing to jump at.

A decent portion of the film, almost a third or more, is simply spent with the Lambert family before the antics happen. I liked this a lot because it allowed the characters to be fleshed out quickly and without interruption. So when the crap hits the fan, there is a connection with the characters and I cared more about them getting through their ordeal together and unscathed. They are a very relatable family and you may find aspects of you or your family in them.

The sound editing for Insidious greatly adds to the atmosphere. I am impressed by the score, composed by Joseph Bishara. It is eerie and creepy and just fits perfect, adding to the tense moments during the final act, as well as the intimate moments towards the beginning I mentioned before. Adding to the ambiance was the vivid colors, or rather deep reds, heavily present during the third act of the film. It gave off this uneasy feeling that fit the environment well.

If you look closely, this film is composed of several horror genres. It starts out as a haunted house film, then turns into a possession film, then into something all it’s own (or at least nothing I can classify, but as I said, my knowledge on the subject isn’t that extensive). It acts as a homage to these different types of film while trudging its own path, and doing so successfully. Rather impressive for a movie genre that can be considered saturated.

Despite my initial hesitation, I found myself enjoying Insidious. After watching this again, I’ve realized my horror survival kit doesn’t cover ghosts and demons and those are hard to outrun. So… yea. Oops. Anyway, Insidious is a fun twist on the horror genre that offers up several good (and meaningful) scares. Even if you think horror isn’t your thing, give it a try. Who knows, you may end up enjoying it like I did.

Rating
3.5/5

Trailer

Cast & Crew
James Wan – Director
Leigh Whannell – writer
Joseph Bishara – Composer

Patrick Wilson – Josh Lambert
Rose Byrne – Renai Lambert
Ty Simpkins – Dalton Lambert
Andrew Astor – Foster Lambert
Barbera Hershey – Lorraine Lambert
Lin Shaye – Elise Rainier
Leigh Whannell – Specs
Angus Sampson – Tucker
Joseph Bishara – Lipstick-Face Demon
Philip Friedman – Old Woman
J. LaRose – Long Haired Fiend
Corbett Tuck – Nurse Adele
Heather Tocquigny – Nurse Kelly