Over the years, Christopher Nolan has made a name for himself with his high-concept films, containing multiple levels, where nothing is exactly what it seems, and often require several rewatches to fully grasp the nuances and details of the story. With Tenet, Christopher Nolan might have made the most Christopher Nolan film to date. From the explosive opening scene to the mind-bending final scene, Tenet continuously leaves you feeling one step behind as you try to put the pieces together before realizing you aren’t even working on the same puzzle as Nolan is working with.
One thing I really appreciate in Nolan’s style of film making is his commitment to practical effects. Zero green screens were used during the production of this movie, which is an impressive feat given the idea that people and objects can move backwards in time or the scale of some of the action pieces. Nolan’s sincerity in wanting to keep everything in-camera creates a level of authenticity in Tenet that very few action films these days have. We’ve seen directors more and more in recent years move away from CGI back towards practical effects and I for one could not be happier. While there have been some really great worlds created with computer special effects, nothing beats feeling like what you’re watching on screen is real. Hopefully with this film, Nolan has inspired more directors to do more of the same.
In today’s world of remakes and reboots, Nolan has stood out as a director and writer who regularly brings original concepts to cinema. While Tenet does take inspiration from espionage thrillers of the past, and time travel movies have been done numerous times in Hollywood, there is still something that feels fresh and unique about the film. As I said, one of Nolan’s trademarks is a multi-layered story filled with details easily missed in the initial viewing and that is no less true in Tenet, which given the way the film uses time-travel, multiple watches are almost a necessity.
But with this film’s complexity comes a slow start. As exciting as the opening scene was, it took some time to get going. In order to properly get the idea of inversion across required a bit of exposition. Also, not much is given on what the organization of Tenet is or what exactly they are doing. As a result, a fair chunk of the beginning I felt lost as to what John David Washington’s character was doing and working towards. I don’t think the character knew exactly either and by keeping the audience in the dark as well, Nolan was trying to put us in the same boat as the character. While this can work, taking too long to get to the payoff can become frustrating and remove the audience member from the film. Once I really got into the idea of inversion and at least some idea of the plans of Washington’s character then I was able to settle into the film more. However, there was still a lot left unrevealed until the final act, and sometimes even the final minutes. The same can be said for the characters themselves, who receive very little in terms of development. Even though much is disclosed in the end, it does little to help their development.
Of course, what might have contributed to my confusion was the fact that it was very difficult to hear what the characters were saying half of the time. Another signature of a Nolan film is a boisterous score. And while such a score can work, the sound mixing in Tenet made it more of a burden than an enhancement. It’s hard to understand what is happening when you cannot hear the exposition.
I thought Tenet was GOOD 🙂 In classic Christopher Nolan fashion, this film has an ambitious concept with a very intricate plot that will certainly require multiple viewings to fully catch all of the details. As a fan of great action sequences, this film is chock full of amazing set pieces all done using practical effects for an absolutely stunning experience. However, the beautiful wrapping covers up a lack of any character development and the score is the most in-your-face and obtrusive of any of Nolan’s films. Nonetheless, Tenet’s originality and creativity is refreshing in today’s landscape of remakes and reboots.
Cast & Crew
Christopher Nolan – Director / Writer
Ludwig Göransson – Composer
John David Washington – The Protagonist
Robert Pattinson – Neil
Elizabeth Debicki – Kat
Kenneth Branagh – Andrei Sator
Aaron Taylor-Johnson – Ives
Himesh Patel – Mahir
Clémence Poésy – Barbara
Michael Cain – Michael Crosby
Dimple Kapadia – Priya
Martin Donovan – Victor
Fiona Dourif – Wheeler