The Hangover Review

This review was originally posted for the Ultimate 2000s Blogathon, hosted by Tranquil Dreams and me.

Before I get into the review, I want to go over a little comedy movie history. Many comedies of the 2000s (2000 to 2009) are based around characters that are crude, clueless, and, put frankly, idiotic. These movies are an evolution of the slap stick films from earlier decades. There are stylistic hints from films like The Naked Gun, The Cannonball Run, Dumb and Dumber, and Happy Gilmore. We began seeing glimpses of this new brand of humor in movies like American Pie and Zoolander. By 2004, this new brand of humor had become the norm. Movies like Dodgeball: A True Underdog Story, Anchorman: The Legend of Ron Burgundy and Napoleon Dynamite embodied 2000s comedy and characters. These characters were vulgar and naive. The films themselves reveled in their gags and ‘did he really just say/do that’ moments, relying on making the audience laugh from becoming flabbergasted or uncomfortable, rather than genuinely finding the moment or joke funny.

This is especially true in the spoof movies. Movies like Scary Movie, Superhero Movie and Insert-Whatever-Genre-Here Movie looked to cash in on pop culture and parody whatever genre was in the title. Spoofs are nothing new in Hollywood. Mel Brooks practically made his name making spoofs like Young Frankenstein, Blazing Saddles, and Spaceballs. And then there is everyone’s favorite spoof: Airplane!. While these movies shared many similarities with with the parody films of the 2000s, their scripts were solid and, you know, actually funny, an element severely lacking from most of the spoofs during this time period.

By the end of the 2000s, comedy filmmakers were learning that this latest iteration of comedy films needed to be refined; that ignorant or appalling actions do not automatically equal funny. And while actors can be funny on their own, or sometimes ad-lib better and funnier lines, the movie can’t solely rely on them and the script needs to support the actors. While not every comedy fit this decade-defining mold, such as EuroTrip or The 40-Year-Old Virgin, these feel like exceptions, not the norm. Although this type of comedy, what I’ve come to call ‘stupid funny,’ still continued into the 2010s, it wasn’t to the extent that existed in the previous decade.

Moving into the tail-end of the 2000s, comedies began changing how they approached their characters. They were still profane and sometimes oblivious but that wasn’t the focus the film anymore. Crude jokes weren’t often being made for the sake of being crude. Instead, the films were becoming smart, insightful, and sometimes even filled with heart. Movies like Baby Mama, Forgetting Sarah Marshall, I love You, Man, and Tropic Thunder used their comedy to amplify their story, not be the crux of it. They shared many characteristics with the earlier comedies of the 2000s but writers and directors had learned how to use these characteristics more effectively.

To make a long story short, that is why I believe The Hangover is the best comedy of the 2000s. The early- and mid-years of the decade feel more like stepping stones to get to the comedies in the latter part of the time period that told better stories and were still funny without solely relying on its stars. I believe that The Hangover is one of the best examples of this. So without any further ado, here is my review of The Hangover.

The Hangover movie posterSynopsis
Doug (Justin Bartha) is getting married. For his bachelor party, his friends Phil (Bradley Cooper), Stu (Ed Helms), and Alan (Zach Galifianakis), take him to Las Vegas. Phil, Stu, and Alan wake up the morning after arriving in Vegas with no memory of what happened the night before. They attempt to retrace their steps to figure out what happened and to find Doug, who has gone missing.

When a movie comes along that has a phenomenal cast with perfect chemistry, who are backed by a memorable and quotable script, I get excited. It makes it even better when that criteria applies to a comedy because, in my honest opinion, comedy films are one of the hardest genres to make everything click. The Hangover checks all the correct comedy film boxes and more.

The first thing this movie nails is the casting. Bradley Cooper, Ed Helms, and Zach Galifianakis all have very different brands of humor. Their deliveries are different, their body language is different, their mannerisms are different. Nothing about them is the same. And yet, they all mesh together so well. Their different styles complement each other wonderfully. Cooper, Helms, and Galifianakis are in almost every scene together and every scene is filled to the brim with laughs. Coincidence? I think not.

Everyone in the supporting cast is top notch as well. Justin Bartha rounds out the group of friends at the center of the film. While not much is seen of him, he does add an extra dynamic to the group when he is there. Smaller roles from Heather Graham, Rob Riggle, Bryan Callen, Jeffrey Tambor, and Mike Tyson all bring the laughs. However, the best member from the supporting cast is Ken Jeong. He had me in stitches every time he was on screen. He deserves as much praise as the headlining three.

Even though Cooper, Helms, and Galifianakis are funny on their own (and together), the script amplifies their comedic strengths. The script, written by Jon Lucas and Scott Moore, feels fresh and clever compared to other comedies of the time. It leaves the audience just as in the dark about the previous night’s events as the characters, so as they piece together what happens, the audience is right there with them. It’s crass, it’s vulgar, and at times it’s irreverent, but It doesn’t rely on toilet humor or leaving the viewers dumbfounded to be funny. It uses jokes or visual gags that are funny because they are truly well written or well delivered. As a result, The Hangover is insanely quotable and has very few diminishing returns on its jokes.

This movie reminded me a road trip movie. In road trip movies, the main characters are going from point A to point B, and along the way, they meet people who usually only show up for a scene or two. This format fits this film as well; Phil, Stu, and Alan are going to these different places to try and piece together what happened the night before. It’s fun because it allows the focus to remain on the three main characters while allowing the supporting cast to have their own funny and unique moments.

I thought The Hangover was GREAT ๐Ÿ˜€ The entire cast had me laughing throughout the film. Every scene was filled with jokes and gags that always landed and are just as humorous after many, many views later. I can think of no better film than to call the best comedy of the decade.

Favorite Quote
Doug: I don’t think you should be doing too much gambling tonight, Alan.
Alan: Gambling? Who said anything about gambling? It’s not gambling when you know you’re gonna win. Counting cards is a foolproof system.
Stu: It’s also illegal.
Alan: It’s not illegal, it’s frowned upon, like masturbating on an airplane.
Phil: I’m pretty sure that’s illegal too.
Alan: Yeah, maybe after 9/11 where everybody got so sensitive. Thanks a lot, Bin Laden.

No effects or prosthetics were created for Stu’s missing tooth. Ed Helms never had an adult incisor grow, and his fake incisor was taken out for the parts of filming where Stu’s tooth is missing. (via IMDb)


Cast & Crew
Tod Phillips โ€“ Director
Jon Lucas โ€“ Writer
Scott Moore โ€“ Writer
Christophe Beck โ€“ Composer

Bradley Cooper โ€“ Phil
Ed Helms โ€“ Stu
Zach Galifianakis โ€“ Alan
Justin Bartha โ€“ Doug
Heather Graham โ€“ Jade
Sasha Barrese โ€“ Tracy
Jeffrey Tambor โ€“ Sid
Ken Jeong โ€“ Mr. Chow
Rachael Harris โ€“ Melissia
Mike Tyson โ€“ Himself
Jernard Burks โ€“ Leonard
Mike Epps โ€“ Black Dog
Rob Riggle โ€“ Officer Franklin
Cleo King โ€“ Officer Garden
Bryan Callen โ€“ Eddie


Night at the Museum Review

Night at the Museum movie posterSynopsis
When Larry Daley (Ben Stiller) starts his new job as the night security guard at the Museum of Natural History, he learns that the museum holds an extraordinary secret: everything comes to life at night.

Compared to some of Ben Stiller’s other films, Night at the Museum is pretty tame. I guess considering it is rated PG, it is aimed towards a younger audience. Regardless of the mildness of the action and fairly subdued humor, there is still plenty to enjoy. Stiller shows the range of his comedic chops. In something like Zoolander or Dodgeball: A True Underdog Story, he is more eccentric and exaggerated, whereas here, he acted more like the straight man. He is given several people to play off of, such as Robin Williams and Owen Wilson, but the chemistry isn’t there to make any particular moment stand-out. One of the main focuses of the story was Larry Daley (Stiller) trying to connect better with his son, Nick (Jake Cherry), after his divorce. When the story focused on that aspect of the story, I found it flat and tedious. The story that interested me more was the museum exhibits coming alive. It has a Toy Story vibe, like โ€œwhat would happen if these inanimate objects came to life?โ€ As someone who likes to visit museums when I travel, this was exciting to me. Since it carries the PG rating, the action, like Stiller’s comedy, was fairly mild-mannered, at least for someone like myself who regularly watches action heroes get beat to hell and blow everything around them to smithereens, but I can see how the younger demographic could find it exciting.

I thought Night at the Museum was GOOD ๐Ÿ™‚ While it offered nothing too notable, it is not completely forgettable either. Both the comedy and action feel mellow if you fall outside of the films target demographic. However, it still offers an enjoyable experience if you roll with the lightheartedness of it all.


Cast & Crew
Shawn Levy โ€“ Director
Robert Ben Garant โ€“ Writer
Thomas Lennon โ€“ Writer
Alan Silvestri โ€“ Composer

Ben Stiller โ€“ Larry Daley
Carla Gugino โ€“ Rebecca
Jake Cherry โ€“ Nick Daley
Kim Raver โ€“ Erica Daley
Dick Van Dyke โ€“ Cecil
Mickey Rooney โ€“ Gus
Bill Cobbs โ€“ Reginald
Robin Williams โ€“ Teddy Roosevelt
Owen Wilson โ€“ Jedediah
Steve Coogan โ€“ Octavious
Patrick Gallagher โ€“ Attila the Hun
Rami Malek โ€“ Ahkmenrah
Pierfrancesco Favino โ€“ Christopher Columbus
Mizuo Peck โ€“ Sacajawea
Easter Island Head โ€“ Brad Garrett (voice)
Ricky Gervais โ€“ Dr. McPhee
Paul Rudd โ€“ Don
Pat Kiernan โ€“ TV News Anchor

Juno Review

Juno movie posterSynopsis
When Juno (Ellen Page) gets pregnant unexpectedly, she decides to put her unborn child up for adoption. While searching for adoptive parents, she finds the couple Vanessa (Jennifer Garner) and Mark (Jason Bateman) Loring and befriends them.

I’ve known of Juno since it came out back in 2007. For one reason or another, I never watched it. However, that has now become one of my biggest regrets of the last twelve years. The only time I have finished a film with a similar feeling was after watching Million Dollar Baby the first time. These are character-driven dramas that have left a lasting impact on me as a cinephile and it’s movies like these that helped influence me to become a movie blogger. If you should take one thing away from this review, it’s that you need to go see Juno immediately if you haven’t seen it at all.

Some movies have characters who are bland and paper-thin, getting very little development or existing only to further the main characters’ story. Other movies have over-the-top characters that feel larger-than-life. However, the best movies are those that have characters the audience can relate to and and connect with. Juno creates these connections with ease. I might not be a woman or know anything about how it feels to be pregnant but I still was able to feel a connection to Juno. Her struggle with her uncertainty, her love for her family, and her feelings to genuinely do what is right are still emotions that I can relate to. To say that I was able to sympathize with a pregnant, teenage girl as an adult male is a true testament to how well written the script by Diablo Cody is.

While a large part of this connectivity comes from the thoughtful, well-written script, another portion comes from Ellen Page as the titular Juno. As early as the first line, she instantly captures your attention and had me laughing. I mean, can you think of a better opening line than โ€œShut your frickin’ gob!’? From there, she doesn’t let off the charm. From now on, when I think of perfect castings, Ellen Page as Juno will be one of my top examples.

Although I have spent a good chunk of this review so far talking about Ellen Page as Juno, almost all of the same things can be said for the rest of the cast. Late 2000s awkward teen go-to Michael Cera, in one of his first movie roles alongside Superbad, gives a fantastic performance. JK Simmons and Allison Janney as Juno’s father and step-mother respectively are great as her support during this uncertain time in her life. Jason Bateman is more of a comedy actor to me but his dramatic performance as Mark Loring might be one of his best performances I’ve seen. And as always, Jennifer Garner nails her part.

This film is a drama at its core but there is plenty of humor sprinkled throughout. As I said, from literally the first line I was laughing. Ellen Page and Michael Cera bear the brunt of the comedy responsibilities but there are some funny moments from Olivia Thirlby as Juno’s best friend Leah. JK Simmons has some great one-liners as well. The humor may not be laugh-out-loud funny but at the same time, it doesn’t need to be. It’s just the right amount of wit to help connect to the characters and still remain affectionate.

But honestly, Juno‘s greatest strength is how it presents teen pregnancy without becoming preachy. It seems today that teen pregnancy often comes with a negative connotation. Early in the film, Juno decides to get an abortion but then decides against it. Whether you are pro-life or pro-choice, this film doesn’t make an argument for one or the other and it doesn’t demonize nor praise Juno for being a pregnant teen. Instead, it looks at Juno as a pregnant teen and and simply tells a clever and heartfelt story.

I thought Juno was GREAT ๐Ÿ˜€ The fantastic script is complemented by great casting all around and offers one of the most sincerest stories about teen pregnancy in cinema. If you’ve never seen this before, please be better than me. See it as soon as you can.

Juno was recommended by Kim of Tranquil Dreams.


Cast & Crew
Jason Reitman โ€“ Director
Diablo Cody โ€“ Writer
Mateo Messina โ€“ Composer

Ellen Page โ€“ Juno MacGuff
Michael Cera โ€“ Paulie Bleeker
Jennifer Garner โ€“ Vanessa Loring
Jason Bateman โ€“ Mark Loring
Allison Janney โ€“ Bren MacGuff
JK Simmons โ€“ Mac MacGuff
Olivia Thirlby โ€“ Leah

Ultimate 2000s Blogathon Kick-Off: EuroTrip (2004)

Hello, friends! Welcome to the fourth annual Ultimate Decades Blogathon! This year’s spotlight decade is the 2000s. Over the next few weeks, my wonderful co-host Kim from Tranquil Dreams and I will be posting reviews from our fellow bloggers highlighting their favorite films from the decade. Kim kicked off the blogathon on her site with her review of SPL: Kill Zone, which you should definitely go check out. Now it’s my turn to get things started! Here is my review of EuroTrip.

After Scott (Scott Mechlowicz) is dumped by his girlfriend at high school graduation, he decides to take a trip to Europe, accompanied by his best friend, Cooper (Jacob Pitts), to meet his pen pal, Mieke (Jessica Boehrs).

As per usual for my opening entry of an Ultimate Decades Blogathon, here are several reasons why I think EuroTrip is an excellent snapshot of the first decade of the millennium:

  1. The technology. Early in the new century, everything was getting smaller and thinner. Cell phones were becoming more common and more pocket-sized even if still a little blocky compared to today’s smart phones. Also, computers were getting thinner, whether it was the monitors or laptops.
  2. The hairstyles. Many girls had shoulder-length hair and it wasn’t uncommon to see some highlights, especially in the bangs. Also at the time, it was popular for guys to use product to spike their hair or style it into a faux-hawk.
  3. The fashion. Throughout the film, you’ll find Jenny in many popular clothing choices of the time. She wears belly shirts, tube tops, capris, and boot-cut jeans. In terms of makeup, she also uses lip gloss pretty heavily.
  4. Meeting someone online. With more and more households getting access to the internet in the early 2000s, meeting someone online was becoming more widespread. Like today, there are many warnings about who the person is on the other side of the screen (as Cooper eloquently illustrated to Scott). While meeting someone online today is pretty common, given the popularity of dating apps and online video games, it was more of a novelty during the late 90s early 2000s. Because of the freshness of online communication during this time, many films that have this as a central part of the plot (You’ve Got Mail, EuroTrip, Sex Drive), can be found around this time period.

While EuroTrip was released in the height of films such as Dodgeball: A True Underdog Story or Talladega Nights: The Ballad of Ricky Bobby, it stands out by not utilizing the extreme slapstick humor popular at the time. It is most certainly irreverent, raunchy, and immature but what else would you expect from a movie about teens going on a road trip to get laid? As you might have guessed from the title, this movie is a road trip movie and the writers make excellent use of this format. Each scene is unique and filled with different gags and jokes. Different characters come and go, leaving their mark with what little time they have. Regardless of what extra characters are in the scene, Scott Mechlowicz, Jacob Pitts, Michelle Trachtenberg, and Travis Wester are absolutely hilarious. Their chemistry is what elevates this movie to pure comedy greatness, filling every scene to the brim with laughs. This film never takes itself too seriously, always letting the craziness and absurdity of the script flow. It knows it’s crude, it knows it’s vulgar. Why pretend otherwise?

I thought EuroTrip was GREAT ๐Ÿ˜€ It is exactly what you would anticipate from a teen sex comedy, so don’t expect anything groundbreaking. However, the cast elevate a great, even if predictable, script. If you’re like me and enjoy similar movies, such as Old School or Accepted, you’ll enjoy EuroTrip.


Cast & Crew
Jeff Schaffer โ€“ Director / Writer
Alec Berg โ€“ Co-Director / Writer
David Mandel โ€“ Co-Director / Writer
James L. Venable โ€“ Composer

Scott Mechlowicz โ€“ Scott Thomas
Jacob Pitts โ€“ Cooper Harris
Michelle Trachtenberg โ€“ Jenny
Travis Wester โ€“ Jamie
Jeffery Tambor โ€“ Scott’s Dad
Cathy Meils โ€“ Mrs. Thomas
Mial Iskhakov โ€“ Bert
Kristen Kreuk โ€“ Fiona
Matt Damon โ€“ Donny
Jessica Boehrs โ€“ Mieke
Vinnie Jones โ€“ Mad Maynard
JP Manoux โ€“ Robot Man
Patrick Rapold โ€“ Christoph
Fred Armisen โ€“ Creepy Italian Guy
Lucy Lawless โ€“ Madame Vandersexxx
Rade Serbedzija โ€“ Tibor

Stop by our blogs daily to see who shows up next and what they consider to be the ultimate 2000s film. Use the tag #ultimate00sblogathon to share your comments or entries for the blogathon on twitter. If you miss any of the entries, Kim is keeping an aggregated list on her site, which you can check out here.

Dodgeball: A True Underdog Story Review (250th Review)

Hello, friends!

Before I get into the review, I want to make a special announcement: this is my 250th film review! I have been blogging for about six and a half years, posting my first reviews in July of 2013. If you ignore my six month hiatus in 2018, that averages about one review a week! I know that I’m not always consistent in posting reviews according to a schedule but I’m pretty excited that I have been able to maintain that average, considering I aim for a review at least every other week.

Thank you everyone for your support over the last 250 reviews! It has meant a lot that you have kept coming back and reading my reviews and other posts. You make me truly enjoy blogging. ๐Ÿ˜€

To be honest, in preparing for this milestone, I actually watched another film to fill this momentous review slot. However, I decided that review would be better suited for the upcoming Ultimate 2000s Blogathon I am co-hosting. In still wanting to keep with the 00 decade theme, I chose to review another of my favorite comedies from the era. And with that, I give you my review ofย Dodgeball: A True Underdog Story. Enjoy!

Dodgeball: A True Underdog Story movie posterSynopsis
Peter La Fleur (Vince Vaughn) and his team of misfits from Average Joe’s Gym enter a dodgeball tournament to prevent the gym from being bought by Globo Gym and Globo Gym’s owner and operator, White Goodman (Ben Stiller).

At its core, Dodgeball: A True Underdog Story is your basic sports film. A team of oddballs enter a sportsball tournament to combat a team of bullies. It’s basically Rocky or The Replacements but with dodgeball. This kind of story has been done dozens of times over since the invention of cinema. In order to stand out, writer and director Rawson Marshall Thurber puts his own spin on the tale.

This came out during an era of comedy films when movies like Zoolander, Anchorman: The Legend of Ron Burgundy, and Napoleon Dynamite were popular. As such, that is the type of humor you should expect from this film. It’s slapstick to the extreme, a type of comedy that I refer to as ‘stupid funny.’ This type of humor isn’t everyone’s cup of tea but I personally find it enjoyable. That might be because I essentially grew up on this type of humor since many of the comedy movies that were released around that time approached comedy the same way.

The signature of this brand of humor are its characters. One or more are ridiculously over-the-top and exaggerated. Ben Stiller’s White Goodman is just our average workout junkie and evil corporate CEO wrapped into one. Except this is a satire of sports movies so he is the over-the-top one. Opposite him is his Peter La Fleur, the underdog of the tale, played by Vince Vaughn. Rounding out Peter’s ragtag posse trying to save their gym from hostile takeover are Kate Veatch (Christine Taylor), a lawyer who has caught the eye of both White and Peter, Justin (Justin Long) a high school outcast, Gordon (Stephen Root), a connoisseur of obscure sports, Owen (Joel David Moore) and Dwight (Chris Williams), two ex-airport employees, and Steve the Pirate (Alan Tudyk).

Vince is the straight man to Stiller’s funny man. When the two of them are on screen together, they play off each other so well it’s magic. Sometimes a comedy duo works when the pair are friends, like Wedding Crashers, but here, Vaughn and Stiller play enemies and it works splendidly. Vaughn’s timing and deadpan delivery complement Stiller’s crazy antics and exaggerated delivery. If you’ve seen any movie starring Vaughn, you should know exactly what to expect from him. However, Stiller never seems to have a signature style. He is like a chameleon who can adjust to what the films needs. While White may not be as iconic as some of his other roles, Stiller is a perfect fit for the part.

The supporting cast is just as entertaining and hilarious as the two leads. It’s hard to pick a favorite from the group. Justin Long’s body language when he delivers his lines always has me laughing. He makes the most of this when he continuously gets hits by dodgeballs. If you’ve watched Office Space, you know how funny Stephen Root can be. His โ€œL for ‘love’โ€ line is one of my favorites in the whole movie and one that I use myself to this day. Joel David Moore, Chris Williams, and Christine Taylor all also have their own moments to shine and don’t disappoint. And of course I have to bring up the talented Alan Tudyk. His pirate impression makes me wish he’d speak like a pirate all the time! Simply put, everyone does fantastic.

I thought Dodgeball: A True Underdog Story was GREAT ๐Ÿ˜€ The stand-out cast is the highlight of this film and what makes the humor work. Everyone gives fantastic performances and all have several great and memorable moments. Endlessly quotable, this sports spoof never fails to make me laugh, even after at least a dozen viewings later.

Favorite Quote
White: Nobody makes me bleed my own blood. Nobody!


Cast & Crew
Rawson Marshall Thurber โ€“ Director / Writer
Theodore Shapiro โ€“ Composer

Vince Vaughn โ€“ Peter La Fleur
Ben Stiller โ€“ White Goodman
Christine Taylor โ€“ Kate Veatch
Justin Long โ€“ Justin
Stephen Root โ€“ Gordon
Joel David Moore โ€“ Owen
Chris Williams โ€“ Dwight
Alan Tudyk โ€“ Steve the Pirate
Rip Torn โ€“ Patches O’Houlihan
Jamal Duff โ€“ Me’Shell Jones
Missi Pyle โ€“ Fran
Gary Cole โ€“ Cotton McKnight
Jason Bateman โ€“ Pepper Brooks
Hank Azaria โ€“ Young Patches O’Houlihan
William Shatner โ€“ Dodgeball Chancellor
Julie Gonzalo โ€“ Amber
Trevor O’Brien โ€“ Derek
Rusty Joiner โ€“ Blade
Kevin Porter โ€“ Lazer
Brandon Molale โ€“ Blazer
Suzy Nakamura โ€“ Gordon’s Wife

Hall Pass Review

Hall Pass movie posterSynopsis
Rick (Owen Wilson) and Fred (Jason Sudeikis) receive hall passes from their wives, who are becoming frustrated in their marriages, allowing them to do whatever they want with other women without consequences for a week.

There are times when you watch a movie and really enjoy it, then you don’t watch it for years. Eventually, you come across it again and remember enjoying it all those years ago so you watch it. Except this time, you don’t find it as enjoyable as you did before. That’s Hall Pass for me. When you see Owen Wilson and Jason Sudeikis at the top of the billing, you know exactly what kind of comedy you’re in for; It’s the kind of comedy that is my bread and butter. However, it doesn’t seem to have aged as well as other similar films I can watch over and over. Wilson and Sudeikis make a great pair and the two of them together is when I laughed the most. The leading ladies, Jenna Fischer and Christina Applegate, are excellent as well. Even the supporting cast is fun to watch, especially Rick’s (Wilson) and Fred’s (Sudeikis) group of friends. The chemistry was there, so the cast isn’t the problem. Rather the writing was this films biggest weakness. When a joke or gag was funny, it was hilarious. But not many of them were funny. For a comedy, that’s the exact opposite of what you want.

I thought Hall Pass was OK ๐Ÿ˜ When I laughed, I laughed hard. Unfortunately, those laughs felt few and far between. The entire cast was great but the script wasn’t there to support them. I was expecting more from the Farrelly Brothers.


Cast & Crew
Bobby Farrelly โ€“ Director / Screenplay
Peter Farrelly โ€“ Director / Screenplay
Pete Jones โ€“ Story / Screenplay
Kevin Barnett โ€“ Screenplay

Owen Wilson โ€“ Rick
Jason Sudeikis โ€“ Fred
Jenna Fischer โ€“ Maggie
Christina Applegate โ€“ Grace
Nicky Whelan โ€“ Leigh
Derek Waters โ€“ Brent
Stephen Merchant โ€“ Gary
Larry Joe Campbell โ€“ Hog-Head
JB Smoove โ€“ Flats
Joy Behr โ€“ Dr. Lucy
Bruce Thomas โ€“ Rick Coleman
Tyler Hoechlin โ€“ Gerry
Richard Jenkins โ€“ Coakley
Alexandra Daddario โ€“ Paige
Kristin Carey โ€“ Aunt Meg