Good On Paper Review

Good On Paper movie posterSynopsis
While on the flight back home from an audition, stand-up comedian Andrea (Iliza Shlesinger) meets Dennis (Ryan Hansen), a man who seemed perfect for her. As their relationship grows, Dennis doesn’t appear to be as good as Andrea first thought.

Review
I’ve been on a bit of an Iliza Shlesinger binge lately, so when I found out she wrote and starred in a movie based on one of her real life experiences, I knew I had to watch it right away. Good On Paper follows similar story beats as typical romantic comedy and may at first seem like typical fare for the genre, but as the movie progresses, you realize it finds its own voice, which feels refreshing and allows it to stand out among other romantic comedies. On top of that, Shlesinger brings a warm and authentic atmosphere to the story. Her timing from her stand-up routines translates well to film, generating tons of laughs throughout the entire run time. Supporting actors Ryan Hansen and Margaret Cho also deserve heaps of praise. Cho’s delivery and timing is on par with Shlesinger’s and together they are a powerful comedic duo.

I thought Good On Paper was GOOD πŸ™‚ The story was enjoyable and the cast was even better. I don’t know how I missed this last year but I’m glad I finally got around to watching it.

Trailer

Cast & Crew
Kimmy Gatewood – Director
Iliza Shlesinger – Writer
Johnathan Sanford – Composer

Iliza Shlesinger – Andrea
Ryan Hansen – Dennis
Margaret Cho – Margot
Rebecca Rittenhouse – Serrena
Kimia Behpoornia – Maggie
Beth Dover – Leslia
Matt McGorry – Brett
Rebecca Delgado Smith – Alli


This years Ultimate Decades Blogathon was announced yesterday! If you’re interested in participating, check out this announcement post.

Duel Review

Duel movie posterSynopsis
Businessman David Mann (Dennis Weaver) is on his way to meet a client. On the way he is pursued and terrorized by a truck driver.

Review
After my successful Alfred Hitchcock project in 2021, I decided to undertake a similar project in 2022. Unlike my Hitchcock project, this time I’m focusing a director I am already familiar with: Steven Spielberg, one of my all-time favorite directors. I debated on starting with Duel, his first feature-length film, or Sugarland Express, his first theatrical film. In the end, I chose to start at the very beginning with Duel. I am delighted that I started with Duel because it was well worth my time.

The premise of the film is extremely straight forward: a businessman is harassed by a truck driver on the way to a client. Despite this simplicity, Steven Spielberg manages to create a suspenseful ride from start to finish. The camera angles, the pacing, the editing, Dennis Weaver’s fantastic acting, all of it created an experience reminiscent of Alfred Hitchcock himself. Taking a page from Hitchcock’s playbook, the antagonist is never actually seen throughout the movie. Going off the idea that the unknown is scarier than the known, the truck driver’s arm or the driver’s boots may be seen but that’s as much of the character as we see. This adds to the tension and the suspense because neither the audience nor David Mann (Weaver) knows the madman trying to kill a fellow driver. To make up for the lack of visibility of the truck’s driver, the truck itself is just as much of a character as David. There is a lot of character in the truck’s appearance; it’s all grimy and dirty, and covered in plates from other cars where the driver had successfully performed similar menacing acts in the past, and has a distinct and memorable silhouette. My only knock against Duel is it might be a little long for such a simple plot. However, seeing as how this was originally a made-for-television movie and had extra scenes added to extend the run time to receive an international theatrical release, this is a minor gripe.

I thought Duel was GOOD πŸ™‚ It’s very high quality for a television movie, which usually pale in comparison to their theatrical counterparts. Spielberg weaves a story that is suspenseful and exciting, creating a monster movie reminiscent of Alfred Hitchcock’s The Birds. If you want to see where Spielberg’s film career began, be sure to check this one out. I don’t think you’ll be disappointed.

Trivia
Duel marked Steven Spielberg’s feature-length directorial debut. It originally aired as a television film as part of the ABC Movie of the Week series on November 13, 1971, later receiving an international theatrical release with an extended version featuring scenes shot after the films original broadcast. (via Wikipedia).

Trailer

Cast & Crew
Steven Spielberg – Director
Richard Matheson – Writer
Billy Goldenberg – Composer

Dennis Weaver – David Mann
Jacqueline Scott – Mrs. Mann
Eddie Firestone – Cafe Owner
Lou Frizzell – Bus Driver
Gene Dynarski – Man in Cafe
Lucille Benson – Lady at Snakerama
Tim Herbert – Gas Station Attendant
Charles Seel – Old Man
Shirley O’Hara – Waitress
Alexander Lockwood – Old Man in Car
Amy Douglass – Old Woman in Car
Dick Whittington – Radio Interviewer (voice)
Carey Loftin – The Truck Driver
Dale Van Sickel – Car Driver

Spider-Man: No Way Home Review

Spider-Man: No Way Home movie posterSynopsis
With his identity as Spider-Man revealed to the public, Peter Parker (Tom Holland) asks Doctor Strange (Benedict Cumberbatch) for help to make the world forget his secret identity. But when the spell goes wrong, villains from other universes arrive, causing problems for Peter and his friends.

Review
Before I get into my review, I just want to say how great it felt to be back in a packed theater! The energy and excitement is unlike anything I have felt since Avengers: Endgame. With things slowly opening up again, I’m glad that I was able to experience Spider-Man: No Way Home with a full, eager crowd. I truly missed this.

The Spider-Man films of the Marvel Cinematic Universe (MCU) are some of my favorites in the entire franchise. Part of this is because Tom Holland is my favorite actor who as played Spider-Man. Tobey Maguire and Andrew Garfield both portray parts of Peter and Spider-Man to various success but to me, Holland is the actor who out of the three captures the character of both Peter and Spider-Man. And of course, Holland does not fail to deliver in his third outing as the titular character. On top of his performance as Peter / Spider-Man, his chemistry with the cast around him is top notch. Not only with Zendaya and Jacob Batalon, but with the villains opposite him. I can honestly say that this is my favorite performance from Holland in the MCU so far. I know that the relationship between Marvel Studios and Sony around the character is a bit rocky at the moment but I hope they are able to work through those and deliver more Holland-led Spider-Man films. Because to take that away would be nothing short of theft.

And speaking of the villains, the returning villains practically steal the show, despite the high praise I just gave the heroes. Alfred Molina, Willem Defoe, and Jamie Foxx were all superb. Molina and Defoe gave fantastic performances in their respective films and only do better here, which I didn’t think was possible! While The Amazing Spider-Man 2 had several problems, Foxx’s performance was not one of them (although it didn’t help either). Here, Foxx gives his character of Electro the performance that such an iconic member of Spider-Man’s rogues gallery deserves.

Being the third Spider-Man film of the MCU, Spider-Man: No Way Home properly raises the stakes and excitement levels than what came before. I constantly found myself tensing up or holding my breath throughout the movie. It balances these high-intensity scenes with the character-building and slower scenes well. Unlike Eternals, despite being one of the longest films in the franchise, it certainly doesn’t feel like it.

After Spider-Man: Far From Home, one of my biggest wants from the MCU Spider-Man franchise was a proper New York City Spider-Man film. Spidey swinging through the skyscrapers of NYC is so iconic and is not something we have truly yet to experience in the MCU. While No Way Home took place in NYC, not much is seen of the city itself. Another gripe I had previously, probably since Spider-Man: Homecoming, is that Peter’s gadgets mostly came from Tony Stark (aka Iron Man). Peter Parker is a genius inventor himself, so to see him have much of his equipment handed to him felt like it took away a lot of those skills from his character. However, where the story leaves Peter at the end appears to open the door to address both of those should another MCU Spider-Man film happen. I’m not going to say any more on the matter but if another film happens, it looks like I will finally get the NYC-set Spider-Man film I would love to see again with Peter’s engineering skills on full display.

I thought Spider-Man: No Way Home was GREAT πŸ˜€ Simply put, it is a love letter to Spider-Man’s cinematic history. It pays homage to those characters and actors that came before, fulfilling arcs from both the MCU Spider-Man films, as well as characters from the Sam Raimi and Marc Webb Spider-Man films. And all the while giving us something unique and a story unlike anything before. I will admit that some of the most memorable and cheer-worthy moments of this movie come from a viewer’s history with, and understanding of, past Spider-Man movies. I’d be interested to hear someone’s opinion who isn’t as familiar with the pre-MCU Spider-Man films. Nonetheless, there is a lot here to enjoy, even if you haven’t seen the pre-MCU Spider-Man films and serves as a great end to the β€œHome” trilogy. Holland has really come into the role of Peter Parker and Spider-Man and I hope that we will get to see him put on the web shooters again.

Trivia
Tom Holland helped to save this movie from cancellation by forcing renegotiations between Sony and Disney. Under the terms of the new deal, not only does Spider-Man: No Way Home (2021) still take place within the Marvel Cinematic Universe (MCU), but Spider-Man can also appear in future MCU movies, as well as Sony’s own Spider-Man franchise. (via IMDb)

Trailer

Cast & Crew
Jon Watts – Director
Chris McKenna – Writer
Erik Sommer – Writer

Tom Holland – Peter Parker / Spider-Man
Zendaya – MJ
Jacob Batalon – Ned Leeds
Benedict Cumberbatch – Doctor Strange
Jon Favreau – Happy Hogan
Marisa Tomei – May Parker
Alfred Milina – Dr. Otto Octavius / Doc Ock
Willem Dafoe – Norman Osborn / Green Goblin
Jamie Foxx – Max Dillon / Electro
Rhys Ifan – Dr. Curt Connors / The Lizard
Thomas Haden Church – Flint Marko / Sandman
Benedict Wong – Wong
Tony Revolori – Flash Thompson
Angourie Rice – Betty Brant
JK Simmons – J. Jonah Jameson

Ghostbusters: Afterlife Review

Ghostbusters: Afterlife movie posterSynopsis
When Phoebe (McKenna) and her family learn of her grandfather’s passing, they move to his home in Summerville, Oklahoma. When Phoebe learns about her grandfather’s work, she must pick up where he left off and stop the impending apocalypse.

Review
Ghostbusters: Afterlife is Hollywood’s latest attempt to create a sequel to a popular franchise decades later, this time it’s fan favorite supernatural comedy, Ghostbusters. I will say that it is one of the better examples of how to create a follow-up film many years later; paying homage to what came before while building its own identity. With the passing of Harold Ramis years ago, he obviously could not be in this film. The way his character of Egon was handled in this film pays respect to the character (and Harold himself) in a heartwarming way. As a Ghostbusters film and starring Paul Rudd, you can be sure to expect plenty of laughs. In that regard, the film did not disappoint. I found myself laughing out loud multiple times throughout the movie.

However, the overall pace of Ghostbusters: Afterlife felt slow as it tries to tie into the previous films and characters while building up towards the final showdown. It’s not that it was bad, it’s just that it didn’t feel that exciting. The ending was the best part but before that, not was relatively slow, and not in the good, deliberate way. Nonetheless, I am not turned off from these new characters completely and would enjoy another outing with them. I’m always interested to see how a younger generation picks up the reins and I think that the franchise could be in good hands with Mckenna Grace and Fin Wolfhard.

I thought Ghostbusters: Afterlife was OK 😐 If you are a fan of the original Ghostbusters films, there are plenty of homages and respect given to those films, while at the same time introducing a new generation of characters. It also has plenty of heart that a story like this needs and deserves. But overall, there is a lack of substance that prevents it from reaching the heights of its widely loved predecessor.

Trailer

Cast & Crew
Jason Reitman – Director / Writer
Gil Kenan – Writer
Rob Simonsen – Composer

Mckenna Grace – Phoebe
Fin Wolfhard – Trevor
Paul Rudd – Grooberson
Carrie Coon – Callie
Logan Kim – Podcast
Celeste O’Connor – Lucky
Dan Aykroyd – Ray Stantz
Bill Murray – Peter Venkman
Ernie Hudson – Winston Zeddemore

Red Notice Review

Red Notice movie posterSynopsis
After FBI Agent John Hartley (Dwayne Johnson) captures the art theif Nolan Booth (Ryan Reynolds), he is framed by another thief known as The Bishop (Gal Gadot). To clear his name, Hartley must work with Booth to find the famed three eggs of Cleopatra before The Bishop can.

Review
I don’t know whose bright idea it was to put Dwayne Johnson, Ryan Reynolds, and Gal Gadot in the same movie, but they should get a raise! Johnson, Reynolds, and Gadot are three of the most charismatic actors today and together they do not disappoint. Their chemistry is impeccable, especially between Johnson and Reynolds. I cannot even begin to describe how much fun I had with this film. It’s simple and straightforward, while still containing a few fun and unexpected twists and turns. At just about 2 hours long, it has a good pace and never feels like it’s dragging or going too fast. Overall, the story is nothing special but the movie more than makes up for it with its leading trio and charm.

I thought Red Notice was GREAT πŸ˜€ It’s part heist film, part action film, part adventure film, and part comedy film. What more could I ask for?

Trivia
The movie has a budget of around US $200 million which is Netflix’s biggest budget ever yet for a feature film. (via IMDb)

Trailer

Cast & Crew
Rawson Marshall Thurber – Director / Writer
Steve Jablonsky – Composer

Dwayne Johnson – John Hartley
Ryan Reynolds – Nolan Booth
Gal Gadot – The Bishop
Ritu Arya – Inspector Urvashi Das
Chris Diamantopoulos – Soto Voce
Ivan Mbakop – Tambwe
Rafael Petardi – Security Chief Ricci

Last Night in Soho Review

Last Night in Soho movie posterSynopsis
Eloise (Thomasin McKenzie), a fashion design student in London, begins experiencing visions of a 1960s aspiring singer named Sandie (Anya Taylor-Joy). Eloise soon learns that these visions are a dark truth from the past.

Review
Edgar Wright has slowly risen on my list of notable directors. While I haven’t seen a lot of his filmography, everything that I have seen has been enjoyable and full of substance and emotion. Last Night in Soho has several great and unexpected twists towards the end. On top of that, the lead up to those twists and reveals is full of excitement and had me on the edge of my seat (even getting a few jumps out of me). The two lead actresses, Thomasin McKenzie and Anya Taylor-Joy, absolutely carry this film and they have both marked themselves as rising stars.

I thought Last Night in Soho was GOOD πŸ™‚ While not explicitly a Halloween film, Last Night in Soho is a perfect movie to watch when you need something to give you thrills during the spooky season.

Trailer

Cast & Crew
Edgar Wright – Director / Story / Screenplay
Kyrsty Wilson-Cairns – Screenplay
Steven Price – Composer

Thomasin McKenzie – Eloise
Anya Taylor-Joy – Sandie
Matt Smith – Jack
Michael Ajao – John
Synnove Karlsen – Jocasta
Jessie Mei Li – Lara
Kassius Nelson – Cami
Rebecca Harrod – Ashley
Terence Stamp – Silver Haired Gentleman
Diana Rigg – Ms. Collins